Emil Botta
Currently Active
•
1911 — Present
Actorjournalisttheatrical producertranslatorcivil servant
Personal Info
- Born
- Sep 15, 1911
- Age
- 114
- Birth Place
- Adjud, Putna County, Kingdom of Romania
LEGACY & ORIGINS
[AUTHORITY: WIKIPEDIA]
Emil Botta (Romanian pronunciation: [eˈmil ˈbota]; 15 September 1911 – 24 July 1977) was a Romanian actor, poet and prose writer, the younger brother of poet-essayist Dan Botta. Though born in Western Moldavia, the two boys were raised by their Corsican mother in Muscel County; as a teenager, Emil rebelled against his upbringing and ran away to Bucharest. Upon arriving there, he embraced a bohemian lifestyle that clashed with Dan's academic success; he took small jobs, had samples of his poetry and film criticism published, and, upon graduating from the Conservatory for Dramatic Arts, began a short career in boulevard comedies. As an opinion leader in the early 1930s, he rallied with the avant-garde's struggle against the "old folks", forming an anti-establishment club called "Ship of Failures". His career as an actor was finally launched in 1938, when he drew notice for his performance as Young Werther in production at the National Theater Bucharest (TNB). He found permanent employment on that troupe, developing an acting style that critics viewed as unique and fascinating, if "mannerist".
Occupation Actorjournalisttheatrical producertranslatorcivil servant
Period c. 1929–1977
Genre Lyric poetryelegynovellasketch storyprose poemsound poetryfantasy literaturesatireessay
Literary movement
ModernismHermeticismExpressionismSurrealismNeo-romanticismExistentialism
Botta also achieved fame as a writer, with poetic cycles which came to be regarded as some of the best in Romanian literature. Rooted in modernism, with surrealist, expressionist and hermeticist characteristics, his verse opened itself to borrowings from neo-romanticism, dark romanticism, and Romanian folklore; increasingly "bookish" in nature, it was also informed by Botta's study of Shakespearean tragedies. Like his parallel forays into fantasy literature, it illustrated Botta's brand of existentialism, and his belief in life as a series of "masks". In the politicized climate of the interwar, Botta was an independent, though he remained close to fascist intellectuals—including his brother, who had sided with the Iron Guard. During World War II, he was preserved as a TNB actor by the Guard's National Legionary State, and then by Ion Antonescu's dictatorial regime; he survived as an actor after the anti-fascist coup of August 1944, being subsequently cast in socialist plays, but also in some early adaptations of American theater. He alternated these with a classical repertory, and was a much celebrated Othello.
Emil Botta (Romanian pronunciation: [eˈmil ˈbota]; 15 September 1911 – 24 July 1977) was a Romanian actor, poet and prose writer, the younger brother of poet-essayist Dan Botta. Though born in Western Moldavia, the two boys were raised by their Corsican mother in Muscel County; as a teenager, Emil rebelled against his upbringing and ran away to Bucharest. Upon arriving there, he embraced a bohemian lifestyle that clashed with Dan's academic success; he took small jobs, had samples of his poetry and film criticism published, and, upon graduating from the Conservatory for Dramatic Arts, began a short career in boulevard comedies. As an opinion leader in the early 1930s, he rallied with the avant-garde's struggle against the "old folks", forming an anti-establishment club called "Ship of Failures". His career as an actor was finally launched in 1938, when he drew notice for his performance as Young Werther in production at the National Theater Bucharest (TNB). He found permanent employment on that troupe, developing an acting style that critics viewed as unique and fascinating, if "mannerist".
Occupation Actorjournalisttheatrical producertranslatorcivil servant
Period c. 1929–1977
Genre Lyric poetryelegynovellasketch storyprose poemsound poetryfantasy literaturesatireessay
Literary movement
ModernismHermeticismExpressionismSurrealismNeo-romanticismExistentialism
Botta also achieved fame as a writer, with poetic cycles which came to be regarded as some of the best in Romanian literature. Rooted in modernism, with surrealist, expressionist and hermeticist characteristics, his verse opened itself to borrowings from neo-romanticism, dark romanticism, and Romanian folklore; increasingly "bookish" in nature, it was also informed by Botta's study of Shakespearean tragedies. Like his parallel forays into fantasy literature, it illustrated Botta's brand of existentialism, and his belief in life as a series of "masks". In the politicized climate of the interwar, Botta was an independent, though he remained close to fascist intellectuals—including his brother, who had sided with the Iron Guard. During World War II, he was preserved as a TNB actor by the Guard's National Legionary State, and then by Ion Antonescu's dictatorial regime; he survived as an actor after the anti-fascist coup of August 1944, being subsequently cast in socialist plays, but also in some early adaptations of American theater. He alternated these with a classical repertory, and was a much celebrated Othello.
Life & Career Details
[AUTHORITY: WIKIPEDIA]
Emil Botta (Romanian pronunciation: [eˈmil ˈbota]; 15 September 1911 – 24 July 1977) was a Romanian actor, poet and prose writer, the younger brother of poet-essayist Dan Botta. Though born in Western Moldavia, the two boys were raised by their Corsican mother in Muscel County; as a teenager, Emil rebelled against his upbringing and ran away to Bucharest. Upon arriving there, he embraced a bohemian lifestyle that clashed with Dan's academic success; he took small jobs, had samples of his poetry and film criticism published, and, upon graduating from the Conservatory for Dramatic Arts, began a short career in boulevard comedies. As an opinion leader in the early 1930s, he rallied with the avant-garde's struggle against the "old folks", forming an anti-establishment club called "Ship of Failures". His career as an actor was finally launched in 1938, when he drew notice for his performance as Young Werther in production at the National Theater Bucharest (TNB). He found permanent employment on that troupe, developing an acting style that critics viewed as unique and fascinating, if "mannerist".
Occupation Actorjournalisttheatrical producertranslatorcivil servant
Period c. 1929–1977
Genre Lyric poetryelegynovellasketch storyprose poemsound poetryfantasy literaturesatireessay
Literary movement
ModernismHermeticismExpressionismSurrealismNeo-romanticismExistentialism
Botta also achieved fame as a writer, with poetic cycles which came to be regarded as some of the best in Romanian literature. Rooted in modernism, with surrealist, expressionist and hermeticist characteristics, his verse opened itself to borrowings from neo-romanticism, dark romanticism, and Romanian folklore; increasingly "bookish" in nature, it was also informed by Botta's study of Shakespearean tragedies. Like his parallel forays into fantasy literature, it illustrated Botta's brand of existentialism, and his belief in life as a series of "masks". In the politicized climate of the interwar, Botta was an independent, though he remained close to fascist intellectuals—including his brother, who had sided with the Iron Guard. During World War II, he was preserved as a TNB actor by the Guard's National Legionary State, and then by Ion Antonescu's dictatorial regime; he survived as an actor after the anti-fascist coup of August 1944, being subsequently cast in socialist plays, but also in some early adaptations of American theater. He alternated these with a classical repertory, and was a much celebrated Othello.
Emil Botta (Romanian pronunciation: [eˈmil ˈbota]; 15 September 1911 – 24 July 1977) was a Romanian actor, poet and prose writer, the younger brother of poet-essayist Dan Botta. Though born in Western Moldavia, the two boys were raised by their Corsican mother in Muscel County; as a teenager, Emil rebelled against his upbringing and ran away to Bucharest. Upon arriving there, he embraced a bohemian lifestyle that clashed with Dan's academic success; he took small jobs, had samples of his poetry and film criticism published, and, upon graduating from the Conservatory for Dramatic Arts, began a short career in boulevard comedies. As an opinion leader in the early 1930s, he rallied with the avant-garde's struggle against the "old folks", forming an anti-establishment club called "Ship of Failures". His career as an actor was finally launched in 1938, when he drew notice for his performance as Young Werther in production at the National Theater Bucharest (TNB). He found permanent employment on that troupe, developing an acting style that critics viewed as unique and fascinating, if "mannerist".
Occupation Actorjournalisttheatrical producertranslatorcivil servant
Period c. 1929–1977
Genre Lyric poetryelegynovellasketch storyprose poemsound poetryfantasy literaturesatireessay
Literary movement
ModernismHermeticismExpressionismSurrealismNeo-romanticismExistentialism
Botta also achieved fame as a writer, with poetic cycles which came to be regarded as some of the best in Romanian literature. Rooted in modernism, with surrealist, expressionist and hermeticist characteristics, his verse opened itself to borrowings from neo-romanticism, dark romanticism, and Romanian folklore; increasingly "bookish" in nature, it was also informed by Botta's study of Shakespearean tragedies. Like his parallel forays into fantasy literature, it illustrated Botta's brand of existentialism, and his belief in life as a series of "masks". In the politicized climate of the interwar, Botta was an independent, though he remained close to fascist intellectuals—including his brother, who had sided with the Iron Guard. During World War II, he was preserved as a TNB actor by the Guard's National Legionary State, and then by Ion Antonescu's dictatorial regime; he survived as an actor after the anti-fascist coup of August 1944, being subsequently cast in socialist plays, but also in some early adaptations of American theater. He alternated these with a classical repertory, and was a much celebrated Othello.
Works & Highlights
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