Charles G. Clarke

Clarke started his career as an assistant cameraman to Allen Siegler at Universal Pictures in 1915. After serving overseas with the U.S. Army during World War I, he returned to work as an assistant cameraman with the National Film Company and Oliver Morosco Company. Subsequently promoted to cinematographer on the 15-part silent film serial The Son of Tarzan (1920), he worked across a broad spectrum of film, including standard film serials at the independents, to showcase musicals and major studio epics. From 1927 to 1933, he was first cameraman at the Jesse Lasky Company. He was responsible for all of the China location footage and much of the studio work for MGM's The Good Earth (1937) but was uncredited. After working on a number of movies for Fox Films in the 1930s, he moved to MGM. In 1938, he returned to the now 20th Century-Fox and worked the majority of his subsequent career at the studio. He worked on low-budget Mr. Moto and Charlie Chan pictures to help produce propaganda material such as Guadalcanal Diary (1943) to pictures Thunderhead, Son of Flicka (1945) and Miracle on 34th Street (1947) to big CinemaScope musicals Marching Along (1952). He was married to Marian Bowden and died at his home in Beverly Hills, California, in 1983.