The anime film SPY x FAMILY CODE: White, part of the SPY x FAMILY franchise, maintained its number one spot at the Japan box office for three consecutive weekends. In its third weekend, the film earned 550 million yen (approximately 3.81 million USD) on 399,000 admissions, bringing its cumulative domestic gross to 4.4 billion yen (about 30.47 million USD) on 3.29 million admissions. The film is now the third-top grossing Japanese anime film of 2023.
In the fourth place debut, the Detective Conan vs. Kaito Kid compilation film opened in 180 theaters in Japan on January 5. The film recompiles legendary episodes from the TV series and ranks eighth in Filmarks’ first-day satisfaction ranking.
Here is the weekend box office Top 10 in Japan (January 5-7, 2024):
- SPY x FAMILY CODE: White (3 weeks since release)
- Wish (4 weeks since release)
- Ano Hana ga Saku Oka de, Mata Kimi to Deaetara (5 weeks since release)
- Detective Conan vs. Kaito Kid (1 week since release)
- Expend4bles (1 week since release)
- Wonka (5 weeks since release)
- Godzilla Minus One (10 weeks since release)
- Paw Patrol: The Mighty Movie (4 weeks since release)
- Kitaro Tanjou: GeGeGe no Nazo (8 weeks since release)
- PERFECT DAYS (3 weeks since release)
Q: What is the key factor contributing to the continued success of “SPY x FAMILY CODE: White” at the Japanese box office for three consecutive weekends?
A: The sustained success of “SPY x FAMILY CODE: White” can be attributed to several factors. Firstly, its engaging storyline and unique concept have resonated well with the audience. Additionally, effective marketing strategies and positive critical reviews have generated continued interest. The film’s cumulative domestic gross and ranking among the top-grossing Japanese anime films of 2023 further highlight its enduring popularity.
Q: How did the new Detective Conan compilation film perform in its debut weekend, and what elements from the TV series were compiled to create it?
A: The Detective Conan compilation film made a fourth-place debut in 180 theaters during its opening weekend. The film recompiled legendary episodes from the TV series, including the birth of Kaito Kid (Kid the Phantom Thief). This strategic compilation, along with its connection to the upcoming 27th movie in the franchise, contributed to its debut success.
Q: Were there any noteworthy aspects or unique features in the new releases “Expend4bles” and “BLOODY ESCAPE” that influenced their initial performance and audience satisfaction?
A: While “Expend4bles” and “BLOODY ESCAPE” are new releases, specific details about their unique features and initial performance are limited in the provided information. Further insights into their plots, genres, and promotional strategies would be necessary to assess their impact on audience satisfaction.
Q: How has “Godzilla Minus One” maintained its presence in the Japanese box office during its 10th weekend, and what factors are contributing to its sustained performance?
A: “Godzilla Minus One” has demonstrated remarkable longevity, maintaining its seventh-place ranking in its 10th weekend. Factors contributing to its sustained performance could include a dedicated fan base, positive word of mouth, or unique elements in the film that continue to attract audiences.
Q: Can you provide information about the Filmarks satisfaction rankings for “Detective Conan vs. Kaito Kid” and “BLOODY ESCAPE,” and how do audience reviews impact the films’ success?
A: “Detective Conan vs. Kaito Kid” ranked eighth in Filmarks’ first-day satisfaction ranking with an average rating of 3.57/5.0 based on 234 reviews. On the other hand, “BLOODY ESCAPE” ranked sixth with an average rating of 3.68/5.0 based on 56 reviews. Positive Filmarks rankings and audience reviews play a crucial role in influencing a film’s success, as they reflect audience satisfaction and can contribute to the film’s visibility and success.
Q: Are there any upcoming releases or events in the Japanese film industry, and what is the outlook for the industry based on the recent performance of films?
A: Information regarding upcoming releases or events in the Japanese film industry is not provided in the given text. To determine the industry’s outlook, it would be necessary to consider broader trends, potential blockbusters, and any significant developments shaping the film landscape in Japan.
(Source: Kogyo Tsushinsha, Eiga.com, Filmarks)